Kall For additional information, see the Global Shipping Programme terms and conditions — opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. Have one to sell? Koralina rated it did not like it Sep 08, Iwona rated it it was ok Jul 22, Hardcoverpages. Learn More — opens in a new window or tab International postage and import charges paid to Pitney Bowes Inc.
|Published (Last):||10 February 2017|
|PDF File Size:||14.70 Mb|
|ePub File Size:||19.60 Mb|
|Price:||Free* [*Free Regsitration Required]|
Gushakar What information theory has to say about new music is the main focus of this study and it is a subject that must be revised under a new light, as the literature on this particular extrapolation is rare, relying mostly on the view of communication theorists but seldom of composers. Aesthetic and Structural Motivations in Musical Composition more.
Information theory seeks to quantify information and is connected with the concept of entropy, or the amount of disorder in a system. His interests include music composition, communication theory, information theory, dance studies, film studies, music psychology, cognition, photography, and multimedia arts. This paper will concentrate on the philosophical and aesthetic implications of this paradigm shift, setting them in the domain of stochastic models as opposed to deterministic models of musical thinking.
The first significant development on information theory was done in by its founder, Claude Shannon, and it is now a consolidated discipline. O Enigma de Wittgenstein: Some of the philosophical implications of the pair information theory-music are discussed, including some reflections on the relationship between information entropy and physics entropy.
This paper is a preliminary investigation on the application of information theory yolocausto an interactive compositional process for shaping expectancy. This is the version of the libretto and it includes all the texts spoken and sung and their translations into Portuguese, as well as information about the creation process, credits, and other information.
Building upon Claude E. This work also presents the consequences from those aesthetic and structural motivations in providing formal coherence to the pieces. Sound, Noise and Entropy: This paper explores the use of Information Theory as an impetus for music composition, aiming to outline the main concepts derived from the theory and how they influence — and influenced — musical thinking.
Since the first contact of composers hoocausto the new theory, particularly the ones associated with hklocausto German journal Die Reihe, there has been rising interdisciplinary interest in Information Theory. This paper will focus on the unfolding ethical issues concerning digitisation policies, such as the likely excessive reliance on information and communication technologies, the ethics of the decision-making powers regarding the selection of what musical heritage is worth keeping, the vulnerability of digital depositories, and future ethics-oriented paths.
This paper discusses ethical principles in the preservation of our increasingly digital musical cultural heritage, particularly in the context of the impact of hklocausto and communication technologies. The Certainty, the Impossible, and what Lies Between: In particular, it describes the essential communication properties of entropy, noise, channel capacity, repertoire, and expectancy, briefly addressing how they affect compositional method and aesthetic parameters embedded in the environmental context which will be referred to as the Zettabyte Era.
This paper presents some possible directions for the application of information theory in music analysis from the point of view of compositional processes, using as case studies a piece by Elliott Carter and a piece by Phillip Glass.
IT provides a theoretical framework for holocauato the statistical nature of both communication and music aesthetics, providing a valuable approach to understanding the relationship between statistical learning and music reception.
Communication models inspired by the concept of communication noise — composer-intent, composer-notation, composer-performer, and composer-listener — are presented, along with their implications for music creation.
In particular, it describes the Remember me on this computer. PhD Thesis in Music Composition. The impact of such new signs will depend on the expectations created in the process of communicating the musical message. Skip to main content. An essay on information theory and ibmm creation more. Log In Sign Up. Considerations regarding both aesthetic and structural This study proposes an understanding of new music from a perspective supported by the psychology of expectation and IT as an alternative to traditional analytical-theoretical or socio-political approaches.
Investigating information holocauwto as a tool for shaping expectancy. MusicCommunicationand Information Theory. Click here to sign up. The opera had its first performance inconducted and directed by the composer with stage direction by Alexandre Vargas and choreography by Silvia Wolff.
Help Center Find new research papers in: In this unprecedented reality, information of a purely musical nature has reached the highest availability and quantity ever in human history.
Haker umysłów Batko Andrzej
ANDRZEJ BATKO HAKER UMYSW PDF