Ma non le usavano i chitarristi per fare gli assoli? In generale, quando si parla di scale, accordi, teoria, armonia, dobbiamo sempre pensare che sia tutto riferito alla musica in generale, e quindi applicabile a tutti gli strumenti. Quindi, per ora, non mi rimane che augurarvi buona visione e… Buon basso!! As a consequence, double stops play a role in my humble opinion, especially in some situations. To understand what I mean, it is essential to first understand how many and which types of them we can play on bass. Or it would be better to tell both third , since major ones work great as well as minor.

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Ma non le usavano i chitarristi per fare gli assoli? In generale, quando si parla di scale, accordi, teoria, armonia, dobbiamo sempre pensare che sia tutto riferito alla musica in generale, e quindi applicabile a tutti gli strumenti. Quindi, per ora, non mi rimane che augurarvi buona visione e… Buon basso!!
As a consequence, double stops play a role in my humble opinion, especially in some situations. To understand what I mean, it is essential to first understand how many and which types of them we can play on bass. Or it would be better to tell both third , since major ones work great as well as minor. You might think to practice playing a whole larger scale on a string for example that of D , adding the third of each note on the G string.
Listen to the effect and try to familiarize yourself with this type of sound, it can be useful to create interesting melodic phrases, harmonizing them independently. Another interesting use of the double stops on bass, more funk, is to play the 3rd and 7th together, inside a groove. It takes a bit of practice, my advice is to search the network of bass lines built this way, make them yours, and then try to create original ones. Ah, in this regard: Happy New Year! And, as always, Happy bass!
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